क्व मंगलालयः श्रीमाननवद्यगुणो हरिः । अल्पपुण्या सुसंबाधा कामिनी क्वातिचञ्चला
kva maṃgalālayaḥ śrīmānanavadyaguṇo hariḥ | alpapuṇyā susaṃbādhā kāminī kvāticañcalā
Di manakah Hari—tempat bernaung segala keberuntungan, mulia dan tanpa cela pada segala sifat—dan di manakah aku, wanita yang digerakkan nafsu, sedikit pahala, terhimpit oleh batasan, serta amat tidak tetap hati?
Rukmiṇī
Tirtha: Dvārakā
Type: kshetra
Scene: A solitary heroine in Dvārakā’s palace-courtyard or seashore, hands clasped, gazing toward Kṛṣṇa’s absent presence; the city’s gateways, flags, and ocean wind underscore separation.
Humility deepens devotion: recognizing the gulf between divine perfection and human weakness becomes a catalyst for surrender.
The Dvārakā Māhātmya frame situates the lament within Dvārakā’s sacred tradition.
None; the verse is a devotional self-assessment.