यथावर्णमनुध्यानैर्मुनिबीजसमन्वितैः । विनियोगेन सहितैश्छन्दोभिः समलंकृतैः
yathāvarṇamanudhyānairmunibījasamanvitaiḥ | viniyogena sahitaiśchandobhiḥ samalaṃkṛtaiḥ
Dengan renungan yang sepadan bagi setiap suku kata, dilengkapi ṛṣi dan bīja, disertai viniyoga yang dinyatakan, serta dihiasi oleh chandas yang sesuai—demikianlah mantra hendaklah diamalkan.
Skanda (deduced)
Scene: A manuscript-like tableau: a teacher points to a palm-leaf text listing ṛṣi, bīja, chandas, viniyoga; above, a mantra appears as twelve syllables, each with a corresponding visualization (color/lotus/petal).
Mantra is not mere sound; it is a complete sacred method—joined with intention, metre, lineage (ṛṣi), and contemplative meaning.
No specific site is named; the verse supplies the orthodox framework for mantra-use within tīrtha-centered dharma.
Use of mantra with varṇa-dhyāna, ṛṣi/bīja attribution, viniyoga statement, and chandas—i.e., full mantra-vidhi.