स्वेच्छया मुनिगेहेषु दर्शयत्यंगचापलम् । क्वचिद्गायति गीतानि क्वचिन्नृत्यति छन्दतः
svecchayā munigeheṣu darśayatyaṃgacāpalam | kvacidgāyati gītāni kvacinnṛtyati chandataḥ
Dengan kehendaknya sendiri, di pertapaan para muni, baginda memperlihatkan gerak tubuh yang nakal; kadang-kadang baginda menyanyi, dan kadang-kadang menari menurut irama.
Gālava
Type: kshetra
Scene: A radiant, youthful figure enters a forest hermitage; he alternates between graceful bodily play, singing, and rhythmic dance, drawing attention amid ascetic surroundings.
Devotion can be expressed through sanctified joy—song and dance—when centered on the divine presence that hallows a place.
The broader episode belongs to the Hara-tīrtha Māhātmya, situating Śiva’s līlā around the tīrtha landscape.
No formal rite is prescribed; devotional expressions (gāna, nṛtya) are described as part of the sacred narrative atmosphere.