Previous Verse
Next Verse

Skanda Purana — Nagara Khanda, Shloka 6

याज्ञवल्क्यस्यभगिनी कंसारीति च विश्रुता । कुमारब्रह्मचर्येण तप स्तेपे सुदारुणम्

yājñavalkyasyabhaginī kaṃsārīti ca viśrutā | kumārabrahmacaryeṇa tapa stepe sudāruṇam

Adik perempuan Yājñavalkya, yang terkenal dengan nama Kaṃsārī, melakukan pertapaan yang sangat keras, mengamalkan brahmacarya sejak zaman gadisnya.

याज्ञवल्क्यस्यof Yājñavalkya
याज्ञवल्क्यस्य:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootयाज्ञवल्क्य (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (6th/Genitive), एकवचन (Singular)
भगिनीsister
भगिनी:
Karta (Subject/कर्ता)
TypeNoun
Rootभगिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन
कंसारि(named) ‘enemy of Kaṃsa’
कंसारि:
Samjñā/Predicate nominative (नाम/विशेष्य)
TypeNoun
Rootकंस + अरि (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (1st/Nominative), एकवचन; षष्ठी-तत्पुरुषः (कंसस्य अरिः)
इतिthus
इति:
Sambandha (Quotation marker)
TypeIndeclinable
Rootइति (अव्यय)
Formउद्धरण-समाप्ति/इत्यर्थक-अव्यय (quotative particle)
and
:
Samuccaya (Connector/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
विश्रुताwell-known, renowned
विश्रुता:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवि + श्रु (धातु) → विश्रुत (कृदन्त-प्रातिपदिक)
Formभूतकृदन्त (क्त), स्त्रीलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषणम्
कुमारब्रह्मचर्येणby (means of) celibacy from boyhood
कुमारब्रह्मचर्येण:
Karana (Instrument/करण)
TypeNoun
Rootकुमार + ब्रह्मचर्य (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया-विभक्ति (3rd/Instrumental), एकवचन; षष्ठी-तत्पुरुषः (कुमारस्य ब्रह्मचर्यम्)
तपःausterity, penance
तपः:
Karma (Object/कर्म)
TypeNoun
Rootतपस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति (2nd/Accusative), एकवचन
तेपेperformed (austerity)
तेपे:
Kriya (Action/क्रिया)
TypeVerb
Rootतप् (धातु)
Formलिट्-लकार (Perfect), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
सुदारुणम्very severe
सुदारुणम्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootसु + दारुण (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया-विभक्ति, एकवचन; विशेषणम् (तपः-विशेषण)

Sūta (continuing narration from 174.5)

Listener: dwijas (twice-born sages/audience)

Scene: A young ascetic woman (Kaṃsārī/Kaṃsārikā), serene and resolute, practicing harsh austerities with the aura of brahmacarya—minimal possessions, matted hair, sacred thread motifs of discipline, and a forest-hermitage backdrop.

Y
Yājñavalkya
K
Kaṃsārī

FAQs

Brahmacarya and tapas are upheld as powerful means of spiritual attainment, capable of sanctifying persons and, through them, places.

The verse functions as backstory within the Śrīhāṭakeśvara-kṣetra Māhātmya, leading toward the Kaṃsāreśvara-liṅga account.

The discipline of brahmacarya and the performance of severe tapas (austerities) are presented as exemplary practices.