प्रत्यक्षः प्रतिमाकारः कालमृत्युप्रकंपनः । उवाच च प्रणम्येशं भुशुंडीं महतीं दधत्
pratyakṣaḥ pratimākāraḥ kālamṛtyuprakaṃpanaḥ | uvāca ca praṇamyeśaṃ bhuśuṃḍīṃ mahatīṃ dadhat
Baginda menzahirkan diri secara nyata dalam rupa jasmani—yang menggoncangkan bahkan Masa dan Maut—lalu setelah menunduk sujud kepada Tuhan, sambil memegang gada yang perkasa, baginda pun bertitah.
Skanda (deduced Kāśīkhaṇḍa norm: Skanda → Agastya)
Tirtha: Kāśī (guardian aspect—Bhairava/Mahākāla thematic)
Type: kshetra
Listener: Sage/audience in frame
Scene: A formidable embodied being appears—so dreadful that Time and Death tremble—holding a massive club; he bows to Śiva and then speaks, awaiting command.
Mahākāla is portrayed as sovereign over Time and Death; devotion to him points to transcendence over mortality.
Kāśī, through the epithet Mahākāla—central to the city’s sacred Shaiva identity in the Skanda Purana.
None explicit; the act of praṇāma (bowing) models proper reverence before the Lord.