गीतविद्याप्रभावेन देवर्षिर्नारदो महान् । मान्यो वैष्णवलोके वै श्रीशंभोश्चातिवल्लभः
gītavidyāprabhāvena devarṣirnārado mahān | mānyo vaiṣṇavaloke vai śrīśaṃbhoścātivallabhaḥ
Dengan pengaruh vidyā suci tentang nyanyian, resi dewa agung Nārada dimuliakan di alam Vaiṣṇava, dan dia juga amat dikasihi oleh Śrī Śambhu (Śiva).
Skanda (deduced, Kāśīkhaṇḍa narrative frame)
Tirtha: Kāśī
Type: kshetra
Scene: Devarṣi Nārada, vīṇā in hand, radiating musical devotion; behind him a paired iconography of Hari and Śambhu indicating equal honor and affection, with Kāśī’s sacred ambience implied by ghāṭs and lamps.
Sacred music (gīta-vidyā) elevates devotion and earns honor across sectarian realms, showing Hari-Hara harmony.
The broader Kāśī Māhātmya context frames the teaching, though this verse itself praises Nārada rather than naming a specific tīrtha.
No direct rite is prescribed; the verse extols the spiritual potency of devotional song.