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Skanda Purana — Kashi Khanda, Shloka 24

ब्राह्मणेभ्यः प्रयच्छंति गीतं गायंत्यहर्निशम् । श्रुतावेव मनस्तेषां नाट्यशास्त्रकृतश्रमाः

brāhmaṇebhyaḥ prayacchaṃti gītaṃ gāyaṃtyaharniśam | śrutāveva manasteṣāṃ nāṭyaśāstrakṛtaśramāḥ

Mereka mempersembahkan nyanyian kepada para brāhmaṇa dan bernyanyi siang dan malam. Fikiran mereka terpaut hanya pada yang didengar (nada dan irama), dan mereka bersungguh-sungguh dalam disiplin yang diajarkan oleh Nāṭyaśāstra.

brāhmaṇebhyaḥto Brahmins
brāhmaṇebhyaḥ:
Sampradāna (Recipient/सम्प्रदान)
TypeNoun
Rootbrāhmaṇa (प्रातिपदिक)
Formपुंलिङ्ग, चतुर्थी (4th/Dative), बहुवचन (Plural)
prayacchantithey give/bestow
prayacchanti:
Kriya (Action/क्रिया)
TypeVerb
Rootdā (धातु) with prefix pra + यच्छ (यम्-धातोः रूपम्)
Formलट् (Present), प्रथमपुरुष (3rd person), बहुवचन (Plural), परस्मैपद; अर्थे = ददति (they give)
gītamsong/music
gītam:
Karman (Object/कर्म)
TypeNoun
Rootgīta (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/Accusative), एकवचन (Singular)
gāyantithey sing
gāyanti:
Kriya (Action/क्रिया)
TypeVerb
Rootgai (धातु)
Formलट् (Present), प्रथमपुरुष (3rd person), बहुवचन (Plural), परस्मैपद
aharniśamday and night
aharniśam:
Sambandha (Adverbial/सम्बन्ध)
TypeIndeclinable
Rootahar (प्रातिपदिक) + niśā (प्रातिपदिक)
Formअव्यय, द्वन्द्व-समास (ahar+niśā), क्रियाविशेषण (adverb)
śrutauin hearing/listening
śrutau:
Adhikaraṇa (Locus/अधिकरण)
TypeNoun
Rootśruti (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th/Locative), एकवचन (Singular)
evaonly/indeed
eva:
Sambandha (Emphasis/सम्बन्ध)
TypeIndeclinable
Rooteva (अव्यय)
Formनिपात (emphatic particle)
manaḥmind
manaḥ:
Karta (Subject/कर्ता)
TypeNoun
Rootmanas (प्रातिपदिक)
Formनपुंसकलिङ्ग, प्रथमा (1st/Nominative), एकवचन (Singular)
teṣāmof them
teṣām:
Sambandha (Genitive relation/सम्बन्ध)
TypeAdjective
Roottad (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग/सर्वलिङ्ग, षष्ठी (6th/Genitive), बहुवचन (Plural)
nāṭyaśāstrakṛtaśramāḥthose whose exertion is (spent) on the science of drama
nāṭyaśāstrakṛtaśramāḥ:
Viśeṣaṇa (Qualifier/विशेषण)
TypeAdjective
Rootnāṭyaśāstra (प्रातिपदिक; nāṭya+śāstra, षष्ठी-तत्पुरुष) + kṛta (कृदन्त, क्त) + śrama (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), बहुवचन (Plural); बहुपद-तत्पुरुष: nāṭyaśāstreṇa kṛtaḥ śramaḥ yeṣām (whose toil is caused by the treatise of drama/performing arts)

Gaṇas (continuing explanation)

Listener: Unspecified in excerpt

Scene: Gandharvas sing continuously, offering their music to seated brāhmaṇas; manuscripts, rosaries, and ritual vessels appear; the performers show disciplined posture as if trained in śāstra.

B
Brāhmaṇa
N
Nāṭyaśāstra

FAQs

Skill and effort become dharmic when directed as service—here, offering music to brāhmaṇas.

No specific tirtha is named; the practice is described within the Kāśīkhaṇḍa narrative setting.

A devotional-social practice is indicated: giving/performing gīta for brāhmaṇas (a form of seva/dāna).