निर्वाणनरसिंहोयं भक्तनिर्वाणकारणम् । मणिप्रदीपनागोयं महामणिविभूषणः
nirvāṇanarasiṃhoyaṃ bhaktanirvāṇakāraṇam | maṇipradīpanāgoyaṃ mahāmaṇivibhūṣaṇaḥ
Inilah Narasiṃha yang mengurniakan mokṣa—punca nirvāṇa para bhakta. Inilah nāga yang bersinar laksana pelita permata, dihiasi mahāmaṇi yang agung.
Skanda (deduced: Kāśīkhaṇḍa commonly Skanda → Agastya)
Tirtha: Narasiṃha (Kāśī context; specific tīrtha/shrine implied)
Type: temple
Listener: Ṛṣis
Scene: A fierce-yet-protective Narasiṃha form radiating light; beside or beneath, a great nāga coiled like a lamp-stand, its hood glowing as if a jeweled flame, gems studding its body; devotees in añjali nearby.
Liberation is portrayed as accessible through bhakti, with divine forms presented as direct causes of devotees’ mokṣa.
The verse functions within the Kāśīkhaṇḍa context, aligning mokṣa-imagery with the sanctity of Kāśī as a liberation-giving kṣetra.
No explicit rite is prescribed here; it is devotional-theological praise.