निरुद्ध्यमान चक्रेण चक्रीक्रेंकितभाषणैः । वदतीति किमत्रापि कामिता कामिनां वर
niruddhyamāna cakreṇa cakrīkreṃkitabhāṣaṇaiḥ | vadatīti kimatrāpi kāmitā kāmināṃ vara
‘Walau dihalang oleh roda, burung cakravāka tetap bersuara dengan jerit berkeriut—maka di sini, wahai terbaik para kekasih, apa lagi yang dapat dikatakan tentang dia yang menjadi idaman para pencinta yang bergelora?’
Skanda (deduced; poetic narration)
Tirtha: Avimukta-Kāśī (narrative landscape)
Type: kshetra
Listener: Muni (frame) and rhetorically a ‘best of lovers’ within the poetic address
Scene: A cakravāka bird near a waterwheel or circular mechanism (suggested by ‘cakra’) cries out with creaking calls despite being held back; the narrator addresses a ‘best of lovers’, turning the scene into a romantic-philosophical analogy.
Even under restraint, intense impulses express themselves—hinting at the need for higher discipline and sacred orientation.
Not a named tīrtha; it supports the Kāśī setting by portraying extraordinary behavior within the sacred region.
None; it is a poetic, reflective statement within the narrative.