वादित्राणां स्वनैर्विष्वक्सूच्यमानशुभागमः । श्वेतातपत्रयुक्तोऽसौ चामरैर्वी जितो नरैः । अयोध्यां नगरीं प्राप्य चिरं राज्यं चकार ह
vāditrāṇāṃ svanairviṣvaksūcyamānaśubhāgamaḥ | śvetātapatrayukto'sau cāmarairvī jito naraiḥ | ayodhyāṃ nagarīṃ prāpya ciraṃ rājyaṃ cakāra ha
Bunyi alat muzik bergema ke segala arah, mengisytiharkan ketibaan baginda yang penuh berkat. Bernaung di bawah payung putih dan dikipas dengan cāmara oleh para dayang, baginda tiba di kota Ayodhyā lalu memerintah untuk tempoh yang panjang.
Narrator (Purāṇic narrator within Dharmāraṇya Khaṇḍa)
Tirtha: Ayodhyā
Type: kshetra
Scene: Triumphal yet auspicious entry into Ayodhyā: instruments sounding in all directions, white parasol overhead, attendants waving cāmaras, citizens witnessing; then the image of long, stable rule.
Righteous rule (rājya) is portrayed as auspicious and stabilizing when grounded in dharma.
Ayodhyā is highlighted as the royal and sacred city reached by Rāma.
None; the verse is descriptive, emphasizing auspicious royal symbolism (parasol, chowries, music).