उत्तमं मध्यमं वापि कनीयः स्यात्कथं विभो । राजसं तामसं वापि निःश्रेयसमथापि वा
uttamaṃ madhyamaṃ vāpi kanīyaḥ syātkathaṃ vibho | rājasaṃ tāmasaṃ vāpi niḥśreyasamathāpi vā
Wahai Yang Maha Perkasa, bagaimana hal itu dinilai sebagai utama, pertengahan atau rendah? Bagaimana ia menjadi rājasa atau tāmasa—atau bagaimana ia menjadi niḥśreyasa, yang membawa kepada kebaikan tertinggi?
King Uttānapāda
Tirtha: Revā (Narmadā) tīrtha milieu
Type: kshetra
Scene: The questioner asks for a taxonomy: what makes the act superior, middling, inferior; what makes it rājasa or tāmasa; and what makes it lead to niḥśreyasa—depicted as a didactic exchange with symbolic guṇa colors.
Actions are ethically graded by motive and quality (guṇas); the same outward act can be inferior or liberative depending on intention and purity.
No tirtha is named; the focus is on dharmic evaluation within the Revā Khaṇḍa discourse.
The verse requests criteria for classifying kanyā-dāna (and related acts) as uttama/madhyama/kanīya and as rājasa/tāmasa/niḥśreyasa.