कपालपाणिर्भगवान्बालकैर्बहुभिर्वृतः । क्वचिद्गायन्हसंश्चैव नृत्यन्वदन् क्वचित्क्वचित्
kapālapāṇirbhagavānbālakairbahubhirvṛtaḥ | kvacidgāyanhasaṃścaiva nṛtyanvadan kvacitkvacit
Baginda Bhagavān memegang kapāla (mangkuk tengkorak) di tangan, dikelilingi ramai anak lelaki; kadang-kadang bernyanyi dan tertawa, kadang-kadang menari dan berkata-kata—sekejap di sini, sekejap di sana.
Mārkaṇḍeya (deduced from section flow)
Tirtha: Ekaśālā (contextual)
Type: kshetra
Listener: Pārtha (implied)
Scene: Śiva with a skull-bowl wanders amid many boys, alternating between song, laughter, dance, and speech, moving unpredictably through lanes and courtyards.
The Lord is not bound by social expectations—His līlā draws hearts through intimacy, joy, and wonder, making devotion natural.
The Revā (Narmadā) corridor of pilgrimage, where such divine episodes establish local sanctity.
None explicitly; the narrative supports smaraṇa/śravaṇa (remembering/hearing) as devotion-building practices.