उत्पलावर्तके लोला सुभद्रा शोणसङ्गमे । मता सिद्धवटे लक्ष्मीस्तरंगा भारताश्रमे
utpalāvartake lolā subhadrā śoṇasaṅgame | matā siddhavaṭe lakṣmīstaraṃgā bhāratāśrame
Di Utpalāvartaka, Baginda ialah Lolā; di pertemuan sungai Śoṇa, Baginda ialah Subhadrā. Di Siddhavaṭa, Baginda dimuliakan sebagai Matā, Sang Ibu; dan di Bhārata-āśrama, Baginda ialah Taraṅgā, ‘yang beralun ombak’.
Sūta (Lomaharṣaṇa) to the sages (deduced)
Tirtha: Utpalāvartaka; Śoṇa-saṅgama; Siddhavaṭa; Bhārata-āśrama
Type: sangam
Listener: muni
Scene: A flowing river sequence: at Utpalāvartaka a lotus-filled eddy where Devi Lolā dances lightly; at the Śoṇa confluence Devi Subhadrā blesses pilgrims offering water; at Siddhavaṭa a vast banyan under which Devi Matā sits as the universal mother; at Bhārata-āśrama a hermitage by rippling waters where Devi Taraṅgā rises with wave-like garments.
Confluences, banyan sanctuaries, and āśramas are sacred nodes where Devī is approached as auspiciousness, motherhood, and life-giving flow.
Utpalāvartaka, Śoṇa-saṅgama, Siddhavaṭa, and Bhārata’s hermitage are praised as Devī-linked pilgrimage points.
No explicit prescription; the mention of saṅgama and siddhavaṭa implies customary snāna, darśana, and pūjā performed at such sites.