अन्तराय-उपसर्ग-विवेचनम् / Analysis of Yogic Obstacles (Antarāyas) and Upasargas
मूलाधारारविंदस्य हेमाभस्य यथाक्रमम् । वकारादिसकारान्ता वर्णाः पर्णमयाः स्थिताः
mūlādhārāraviṃdasya hemābhasya yathākramam | vakārādisakārāntā varṇāḥ parṇamayāḥ sthitāḥ
Dalam teratai Mūlādhāra yang berkilau laksana emas, huruf-huruf—bermula dengan “va” dan berakhir dengan “sa”—tersusun menurut tertibnya, bersemayam pada kelopak-kelopak.
Suta Goswami (narrating Shaiva yogic doctrine as taught in the Vāyavīya Saṃhitā)
Tattva Level: pashu
Shiva Form: Āghoramūrti
Shakti Form: Durgā
Role: creative
It maps sacred sound (varṇa/mātṛkā) onto the Mūlādhāra lotus, teaching that mantra is not merely speech but a subtle power arranged in the body’s centers—meant to be contemplated to purify the pasha-bound soul (paśu) and orient it toward Pati, Shiva.
The ordered letters on the lotus petals support internal worship (antar-yāga): the devotee meditates on Shiva’s presence as Saguna within the subtle body, using mantra-sound as the bridge to realize the Linga-principle as the inner axis of consciousness.
A chakra-based japa and dhyāna practice: visualize the golden Mūlādhāra lotus and contemplate the syllables from “va” to “sa” stationed on its petals while repeating a Shaiva mantra (such as the Panchākṣarī, as instructed by one’s guru) with steady breath and purity.