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Shiva Purana — Vayaviya Samhita, Shloka 13

मन्त्रसिद्धिः, प्रतिबन्धनिरासः, श्रद्धा-नियमाः

Mantra Efficacy, Removal of Obstacles, and the Role of Faith/Discipline

आलिप्य शकृता १ भूमिं हस्तमानावरां यथा । विलिखेत्कमले भद्रे दीप्यमानं स्वतेजसा

ālipya śakṛtā 1 bhūmiṃ hastamānāvarāṃ yathā | vilikhetkamale bhadre dīpyamānaṃ svatejasā

Setelah menyapu tanah dengan tahi lembu, wahai Kamalā yang mulia, hendaklah dilukis di atasnya sekuntum teratai sebesar ukuran satu tapak tangan, bersinar dengan cahaya kemuliaannya sendiri.

आलिप्यhaving smeared
आलिप्य:
Kriyā (क्रिया)
TypeVerb
Rootआ-लिप् (धातु)
Formक्त्वान्त अव्ययकृदन्त (absolutive/gerund), पूर्वकालिक क्रिया
शकृताwith dung (cow-dung)
शकृता:
Karaṇa (करण)
TypeNoun
Rootशकृत् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
भूमिम्the ground
भूमिम्:
Karma (कर्म)
TypeNoun
Rootभूमि (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
हस्त-माना-अवराम्slightly less than a hand-span in measure
हस्त-माना-अवराम्:
Karma (कर्म)
TypeAdjective
Rootहस्त (प्रातिपदिक) + मान (प्रातिपदिक) + अवर (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; तत्पुरुष-समास (परिमाणवाचक: ‘हस्तमाना’ = one-hand measure; ‘अवरा’ = less/shorter)
यथाas, in the manner that
यथा:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootयथा (अव्यय)
Formअव्यय, उपमान/प्रकारवाचक (comparative/manner adverb)
विलिखेत्should draw/inscribe
विलिखेत्:
Kriyā (क्रिया)
TypeVerb
Rootवि-लिख् (धातु)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
कमलेin/on a lotus (design)
कमले:
Adhikaraṇa (अधिकरण)
TypeNoun
Rootकमल (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन
भद्रेauspicious, excellent
भद्रे:
Adhikaraṇa (अधिकरण)
TypeAdjective
Rootभद्र (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/Locative), एकवचन; विशेषण (qualifying कमले)
दीप्यमानम्shining, radiant
दीप्यमानम्:
Karma (कर्म)
TypeAdjective
Rootदीप् (धातु)
Formशतृ/शानच्-वर्तमानकृदन्त (present participle, Ātmanepada sense), नपुंसकलिङ्ग, द्वितीया, एकवचन; विशेषण (of what is drawn)
स्व-तेजसाwith its/one's own brilliance
स्व-तेजसा:
Karaṇa (करण)
TypeNoun
Rootस्व (प्रातिपदिक) + तेजस् (प्रातिपदिक)
Formनपुंसकलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; तत्पुरुष-समास (षष्ठी-तत्पुरुष: ‘स्वस्य तेजसा’)

Suta Goswami

Tattva Level: pashu

Shiva Form: Sadyojāta

Significance: Ritual maṇḍala/lotus-drawing is a portable ‘micro-kṣetra’ practice usable in any Śiva worship setting; it sacralizes space for invoking Śiva’s presence.

Shakti Form: Lalitā

Role: creative

Offering: pushpa

S
Shiva

FAQs

It teaches that Shaiva worship begins with śauca (purity): preparing a sanctified space supports steadiness of mind, so devotion can turn from the outer act to Shiva as Pati, the luminous inner Lord.

The lotus diagram is a consecrated base for Saguna worship—an orderly, pure seat for the Linga or Shiva’s symbol—so the devotee approaches the manifest form with reverence while remembering Shiva’s self-effulgent nature.

Prepare the worship-ground by smearing with cow-dung and draw a hand-measured lotus (maṇḍala) as an altar-seat; then continue with Shaiva puja such as offering, japa (e.g., Om Namaḥ Śivāya), and inward contemplation.