द्वितीयतृतीयावरणपूजाक्रमः | The Sequence of the Second and Third Enclosure Worship (Āvaraṇa-pūjā)
गजास्यं नैरृते पत्रे षण्मुखं वारुणे पुनः । ज्येष्ठां वायुदले गौरीमुत्तरे चंडमैश्वरे
gajāsyaṃ nairṛte patre ṣaṇmukhaṃ vāruṇe punaḥ | jyeṣṭhāṃ vāyudale gaurīmuttare caṃḍamaiśvare
Pada kelopak yang milik arah barat daya (Nairṛta), hendaklah direnungi Gajāsya (Gaṇeśa); dan pada kelopak Varuṇa (arah barat), hendaklah ditempatkan Ṣaṇmukha (Kārttikeya). Pada kelopak Vāyu (barat laut), hendaklah dipuja Jyeṣṭhā; pada kelopak utara, Gaurī; dan pada kelopak Īśāna (timur laut), Caṇḍamaheśvara, wujud Mahēśvara yang garang.
Suta Goswami
Tattva Level: pati
Shiva Form: Bhairava
Sthala Purana: Not a Jyotirliṅga episode; the verse is a nyāsa/āvaraṇa-style placement of deities in directional petals around the central Śiva-maṇḍala, typical of Vāyavīya ritual mapping.
Significance: Supports internal pilgrimage (antaryātrā): stabilizing the sādhaka’s maṇḍala by honoring Śiva’s family/gaṇa-śaktis in the quarters, removing obstacles and harmonizing energies before main worship.
Shakti Form: Gaurī
Role: nurturing
Offering: pushpa
The verse teaches a Shaiva dhyāna-krama (ordered contemplation) where Śiva’s worship is supported by placing attendant divine powers in specific directions/petals, expressing that the cosmos and its śaktis are harmonized around Pati (Śiva) for inner concentration and grace.
It aligns with Saguna upāsanā: while Śiva is the supreme Pati, the practitioner meditatively installs associated forms—Gaṇeśa, Skanda, Gaurī, and Caṇḍamaheśvara—around the sacred center (often the Liṅga/maṇḍala), making worship complete, protected, and ritually orthodox in Shaiva practice.
A petal/directional nyāsa and dhyāna: mentally place these deities in their respective quarters while worshipping Śiva, then proceed with mantra-japa (such as the Pañcākṣarī) and offerings; this stabilizes attention and invokes auspicious guardianship for the sādhana.