पञ्चाक्षरीविद्यायाḥ कलियुगे मोक्षोपायः | The Pañcākṣarī Vidyā as a Means of Liberation in Kali Yuga
तदा नारायणश्शेते देवो मायामयीं तनुम् । आस्थाय भोगिपर्यंकशयने तोयमध्यगः
tadā nārāyaṇaśśete devo māyāmayīṃ tanum | āsthāya bhogiparyaṃkaśayane toyamadhyagaḥ
Ketika itu Nārāyaṇa berbaring di sana—menyandang tubuh yang terjalin daripada Māyā—bersandar di atas ranjang ular, berada di tengah-tengah perairan purba.
Suta Goswami
Tattva Level: pasha
Shiva Form: Sadāśiva
Role: nurturing
Cosmic Event: pralaya/causal-waters setting: deity reclines in primeval waters on Ananta (serpent couch)
It portrays the cosmic state where a deity functions through a māyāmayī (manifest) form within the waters of dissolution—implying that the phenomenal universe and its divine governance operate within Māyā, while Shaiva Siddhānta points beyond it to Pati (Śiva) as the ultimate liberator from Pāśa (bondage).
The verse highlights Saguna manifestation—God appearing with form for cosmic order. Linga-worship similarly approaches the transcendent Śiva through an accessible emblem and form, guiding the devotee from visible symbol (saguna upāsanā) toward realization of the formless Supreme (nirguna Śiva) beyond Māyā.
A practical takeaway is dissolution-meditation (pralaya-bhāvanā): contemplate the world as resting in cosmic waters and repeat the Panchākṣarī—“Om Namaḥ Śivāya”—to seek refuge in Śiva as Pati, the one who cuts the bonds of Māyā and grants liberation.