सर्गविभागवर्णनम्
Classification of Creation: the Nine Sargas and the Streams of Beings
ततो ऽर्वाक्स्रोतसां सर्गः सप्तमः स तु मानुषः । अष्टमो ऽनुग्रहः सर्गः कौमारो नवमः स्मृतः । प्राकृताश्च त्रयः पूर्वे सर्गास्ते ऽबुद्धिपूर्वकाः । बुद्धिपूर्वं प्रवर्तन्ते मुख्याद्याः पञ्च वैकृताः
tato 'rvāksrotasāṃ sargaḥ saptamaḥ sa tu mānuṣaḥ | aṣṭamo 'nugrahaḥ sargaḥ kaumāro navamaḥ smṛtaḥ | prākṛtāśca trayaḥ pūrve sargāste 'buddhipūrvakāḥ | buddhipūrvaṃ pravartante mukhyādyāḥ pañca vaikṛtāḥ
Kemudian datang penciptaan ketujuh, disebut penciptaan ‘arus mengalir ke bawah’ (arvāk-srotas), iaitu penciptaan manusia. Penciptaan kelapan dikenali sebagai penciptaan yang lahir daripada anugerah ilahi (anugraha). Penciptaan kesembilan diingati sebagai penciptaan Kaumāra. Tiga penciptaan terdahulu ialah Prākṛta (daripada Alam Asal) dan berlangsung tanpa didahului kecerdasan pembezaan; tetapi lima penciptaan Vaikṛta, bermula dengan yang ‘utama’ (mukhya), berlangsung dengan akal sebagai pendahulunya.
Suta Goswami
Tattva Level: pasha
Shiva Form: Sadāśiva
Role: liberating
Cosmic Event: transition from prākṛta (abuddhi-pūrvaka) to vaikṛta (buddhi-pūrvaka) sargas; explicit mention of anugraha-sarga
It distinguishes nature-driven creation (Prākṛta) from intellect-guided evolved creation (Vaikṛta) and highlights anugraha—Shiva’s grace—as a decisive principle for spiritual uplift, aligning with Shaiva Siddhanta where liberation is ultimately completed by the Lord’s grace.
By emphasizing anugraha (grace), the verse supports Saguna Shiva worship—such as Linga devotion—as a means to receive Shiva’s favor, which turns the intellect from bondage (pāśa) toward the Lord (Pati) and ripens the soul (paśu) for liberation.
A practical takeaway is to seek anugraha through Shaiva sādhanā—daily Linga pūjā with vibhūti (Tripuṇḍra), japa of the Pañcākṣarī “Om Namaḥ Śivāya,” and Rudrākṣa dhāraṇa—so that buddhi becomes Shiva-oriented rather than merely Prakriti-driven.