एकोनषष्ठितमः सर्गः (Sarga 59): सुमन्त्रवाक्यं, अयोध्याविषादः, दाशरथिशोकसागरः
Spoken by King Daśaratha to SumantraSetting: Ayodhyā (royal palace precincts implied)Places named: Yamaśkṣaya
लोहिताक्षं महाबाहुमामुक्तमणिकुण्डलम् ।
रामं यदि न पश्येयं गमिष्यामि यमक्षयम् ॥२९॥
lohitākṣaṃ mahābāhum āmuktamaṇikuṇḍalam |
rāmaṃ yadi na paśyeyaṃ gamiṣyāmi yamakṣayam ||29||
Jika aku tidak dapat menatap Rāma—bermata kemerah-merahan, berlengan perkasa, memakai subang bertatah permata—maka aku akan pergi ke alam Yama, kediaman maut.
If I cannot see Rama of red-coloured eyes, the mighty-armed one and wearing earrings bedecked with precious stones I shall surely go to the abode of Yama, the god of death.
Unruled grief can eclipse rājadharma; attachment makes separation feel like death, urging cultivation of steadiness (dhairya) even amid unavoidable outcomes.
Useful for contemplation on impermanence and the need for inner refuge beyond external sight; can be used as a vairāgya prompt.
Attachment (rāga) to the beloved object intensifies duḥkha; the verse dramatizes how identification with relational roles (fatherhood) binds one to saṃsāric sorrow.
Kaṭha Upaniṣad themes of Yama and the boundary between life and death are evoked by naming Yamaśkṣaya.
Vālmīki RāmāyaŇa 2.59.30-32 (Daśarathaśs escalating lament); Vālmīki RāmāyaŇa 2.64-2.66 (Daśarathaśs death from grief)
Kaṭha Upaniṣad (Yama as lord of death); Mahābhārata Ādi-parvan: laments where separation is equated with death (viraha-maraŇa trope)
AyodhyākāŇḍa: repeated motif of Rāma-darśana as life-giving for elders
Anuṣṭup
Grieving
Mandra-niṣāda to madhyama, with kampita on śyamaśkṣayam
The verse confronts satya about mortality: separation from the righteous becomes unbearable, reminding that human life is fragile and that attachment has consequences that must be faced truthfully.
Daśaratha declares he will die if he cannot see Rāma, intensifying the emotional crisis after Rāma’s exile.
Rāma’s auspicious, royal qualities (strength and adornment) are recalled; Daśaratha’s unwavering love is foregrounded as a defining trait.
Answers come straight from the texts, with the shlokas they draw on. Ask in your own words.
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