Shloka 70
The Glory of Dhātrī (Āmalakī) and Tulasī: Ekādaśī Observance and Protection from Preta States
फलिष्यति परं लोकं तस्माद्गंतुं समर्हथ । अथ तेभ्यो वरं लब्ध्वा धात्रीवृक्षं पिशाचकैः
phaliṣyati paraṃ lokaṃ tasmādgaṃtuṃ samarhatha | atha tebhyo varaṃ labdhvā dhātrīvṛkṣaṃ piśācakaiḥ
Ia akan membuahkan loka yang tertinggi; maka kalian patut berangkat menuju ke sana. Kemudian, setelah memperoleh anugerah (vara) daripada mereka, dia pergi ke pohon dhātrī di tengah para piśāca.
Unspecified in the provided excerpt (context needed from surrounding verses).
Concept: Contact with a sanctified object/place, when aligned with divine sanction (vara), can yield supramundane fruit beyond ordinary striving.
Application: Treat sacred spaces and sacred plants/trees with reverence; seek blessings ethically rather than exploiting power; cultivate faith that small sincere acts in holy contexts can transform destiny.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Type: temple
Visual Art Cues: {"scene_description":"A twilight temple courtyard opens onto a venerable dhātrī tree heavy with pale green fruits. Shadowy piśācas linger at the edge of lamp-light, while a pilgrim figure receives an unseen boon—suggested by a faint halo and drifting flower petals—before stepping toward the tree as if crossing a karmic threshold.","primary_figures":["Temple priest or pilgrim protagonist","Piśācas (shadowy attendants)","Unseen presiding deity presence (suggested aura)"],"setting":"Stone temple courtyard with a sacred dhātrī tree, low shrine lamps, scattered bilva and lotus offerings, faint incense smoke.","lighting_mood":"temple lamp-lit","color_palette":["deep indigo","lamp-flame gold","stone gray","āmala green","smoke white"],"tanjore_prompt":"Tanjore painting style: a South Indian temple courtyard with a central dhātrī tree laden with fruits, gold-leaf aura around the shrine doorway, gem-studded ornaments on the main figure, piśācas rendered as stylized shadow-forms at the margins, rich crimson and emerald textiles, intricate floral borders and embossed gold highlights.","pahari_prompt":"Pahari miniature style: a quiet temple courtyard at dusk with delicate brushwork, the dhātrī tree finely detailed with small pale-green fruits, lyrical naturalism in the foliage, cool twilight blues and soft lamp-glow, refined faces, piśācas as subtle dark silhouettes behind pillars, distant hills faintly suggested.","kerala_mural_prompt":"Kerala mural style: bold black outlines and natural pigments, temple wall aesthetic with the dhātrī tree centered, large expressive eyes on the human figure, warm red-yellow-green palette, piśācas stylized with dramatic contours, sacred aura motifs around the shrine entrance.","pichwai_prompt":"Pichwai cloth painting style: ornate temple-garden scene with lotus and floral borders, the dhātrī tree as a central motif, deep blue background with gold detailing, peacocks near the offerings, devotional symmetry, shrine doorway glowing, figures arranged in a ceremonial procession-like composition."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["temple bells","low wind through leaves","soft drum pulse","incense crackle","distant conch shell"]}
Sandhi Resolution Notes: तस्माद्गन्तुम् = तस्मात् + गन्तुम् (द् + ग् sandhi); धात्रीवृक्षम् is a ṣaṣṭhī-tatpuruṣa compound.
FAQs
It presents a phala-śruti style promise: a practice, vow, or instruction (implied by the context) is said to lead to an elevated post-mortem state—described here as the “supreme world.”
Purāṇas often sacralize specific trees as loci of merit, ritual efficacy, or narrative events. The dhātrī tree can function as a sacred setting for vows, boons, or encounters that shape the story’s moral or spiritual outcome.
The sequence suggests purposeful action after receiving grace: a boon is not an endpoint but a means—one should proceed toward the stated higher goal rather than remain attached to intermediate gains.