Shloka 9
Kāma and Indra’s Attempt to Shatter Chastity; the ‘Abode of Satya’ and the Ethics of the Virtuous Home
अस्तेयमप्यहिंसा च तितिक्षा वृद्धिरेव च । मम गेहे समायाता धन्यतां शृणु धर्मराट्
asteyamapyahiṃsā ca titikṣā vṛddhireva ca | mama gehe samāyātā dhanyatāṃ śṛṇu dharmarāṭ
Asteya (tidak mencuri), ahiṃsā (tidak menyakiti), titikṣā (ketabahan), dan kemakmuran sejati telah datang ke rumah-Ku. Wahai raja Dharma, dengarkanlah keberkatan ini.
Unspecified in the provided excerpt (speaker addressing a righteous king, 'dharmarāṭ')
Concept: Ahiṃsā, asteya, titikṣā, and true prosperity are inseparable; ethical restraint is the real wealth that makes a dwelling blessed.
Application: Audit daily actions for subtle harm and appropriation (time, credit, resources); practice patience under provocation; define prosperity as sufficiency plus generosity.
Primary Rasa: shanta
Secondary Rasa: vira
Type: temple
Visual Art Cues: {"scene_description":"A righteous king is addressed within a sanctified hall where virtues arrive as radiant guests: Non-violence carries a white lotus, Non-stealing holds a sealed treasure chest untouched, Forbearance bears a cool moon-disc, and Prosperity appears as a golden sheaf of grain. The ‘home’ glows like a temple, suggesting that dharma itself consecrates architecture.","primary_figures":["a dharmarāṭ (righteous king)","personified Ahiṃsā","personified Asteya","personified Titikṣā","personified Vṛddhi (true prosperity)","household priests/elders"],"setting":"a palace hall rendered as a temple-like space with lamps, clean floor patterns (maṇḍala), and a small altar niche","lighting_mood":"divine radiance","color_palette":["moonlit silver","grain gold","pure white","royal maroon","deep green"],"tanjore_prompt":"Tanjore painting style: a righteous king seated in a consecrated palace-temple hall, four haloed allegorical figures (Ahiṃsā, Asteya, Titikṣā, Vṛddhi) entering with symbolic offerings; heavy gold leaf on halos and pillars, rich maroon and emerald textiles, gem-studded ornaments, ornate borders emphasizing blessedness.","pahari_prompt":"Pahari miniature style: refined court scene with the king listening attentively, virtues as graceful figures approaching with lotus, grain, and moon-symbols; delicate brushwork, cool shadows with warm highlights, lyrical architecture and garden glimpses.","kerala_mural_prompt":"Kerala mural style: iconic king with stylized crown and large eyes, virtues in bold outlined forms holding attributes, temple-lamp rows and mandala floor; natural pigments with red/yellow/green dominance and flat radiant backgrounds.","pichwai_prompt":"Pichwai cloth painting style: central medallion of the dharmarāṭ and the four virtues, surrounded by lotus borders, rows of lamps, peacocks and floral vines; deep blue ground with gold and white detailing, intricate textile-like ornamentation."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["courtly drum (soft pakhawaj)","temple bells","conch accent","murmur of assembly"]}
Sandhi Resolution Notes: अस्तेयमप्यहिंसा = अस्तेयम् + अपि + अहिंसा; वृद्धिरेव = वृद्धिः + एव.
FAQs
The verse highlights four core virtues: asteya (non-stealing), ahiṃsā (non-violence), titikṣā (forbearance), and vṛddhi (true increase or prosperity), presenting them as auspicious qualities that “enter” a household.
‘Dharmarāṭ’ literally means “king of dharma” or “righteous king.” In this isolated excerpt, the specific person is not named, but it indicates the speaker is addressing a ruler renowned for upholding righteousness.
The verse suggests that a household becomes truly blessed when it is grounded in non-stealing, non-violence, patience under hardship, and genuine prosperity—implying that moral conduct is the basis of lasting well-being.