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Narada Purana — Purva Bhaga, Shloka 51

The Account of the Lalitā Hymn, the Protective Armor

Kavaca), and the Thousand Names (Sahasranāma

कामा बुद्धिरहंकारशब्दस्पर्शस्वरूपिणी । रूपरूपा रसाह्वा च गंधवित्तधृतिस्तथा ॥ ५१ ॥

kāmā buddhirahaṃkāraśabdasparśasvarūpiṇī | rūparūpā rasāhvā ca gaṃdhavittadhṛtistathā || 51 ||

Ia mengambil rupa kāma (keinginan), buddhi (akal budi) dan ahaṅkāra (keakuan); serta menjadi inti sari bunyi dan sentuhan. Ia juga menjadi rupa (bentuk yang terlihat), disebut rasa (cita rasa), dan demikian pula menjadi bau, kesedaran/pengetahuan batin, serta dhṛti (keteguhan yang menahan).

kāmādesire (kāmā)
kāmā:
Karta (कर्ता/Subject)
TypeNoun
Rootkāma (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
buddhiḥintellect (buddhi)
buddhiḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootbuddhi (प्रातिपदिक)
Formस्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
ahaṃkāra-śabda-sparśa-svarūpiṇīhaving the nature of ego, sound, and touch
ahaṃkāra-śabda-sparśa-svarūpiṇī:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootahaṃkāra (प्रातिपदिक) + śabda (प्रातिपदिक) + sparśa (प्रातिपदिक) + svarūpiṇī (प्रातिपदिक)
Formबहुपद-तत्पुरुष (determinative: 'having the nature/form of ...'), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
rūpa-rūpāform itself / of the nature of form
rūpa-rūpā:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootrūpa (प्रातिपदिक) + rūpā (प्रातिपदिक)
Formकर्मधारय (appositional: 'form as form'), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
rasāhvācalled taste (rasa)
rasāhvā:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootrasa (प्रातिपदिक) + āhvā (प्रातिपदिक)
Formतत्पुरुष (determinative: 'named/called rasa'), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
caand
ca:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootca (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
gandha-vitti-dhṛtiḥsmell, cognition, and steadiness
gandha-vitti-dhṛtiḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootgandha (प्रातिपदिक) + vitti (प्रातिपदिक) + dhṛti (प्रातिपदिक)
Formइतरेतर-द्वन्द्व (copulative: 'smell, cognition, and steadiness'), स्त्रीलिङ्ग (Feminine), प्रथमा (Nom./1st), एकवचन (Singular)
tathālikewise
tathā:
Sambandha (सम्बन्ध/adverbial)
TypeIndeclinable
Roottathā (अव्यय)
Formअव्यय (adverb)

Sanatkumara (teaching Narada in dialogue form)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: none

N
Narada
S
Sanatkumara

FAQs

It maps how the one inner principle manifests as both mental powers (desire, intellect, ego, cognition, steadfastness) and sensory essences (sound, touch, form, taste, smell), helping the seeker discern what is mutable and therefore to be transcended in pursuit of moksha.

By identifying the mind–sense complex that disperses attention, it implicitly supports bhakti-sadhana: restraining desire and ego while redirecting cognition and steadiness (dhriti) toward single-pointed remembrance and worship of the Lord.

It aligns with Vedanga-style technical analysis of faculties and sense-objects used in disciplined practice—useful for mantra-application and ritual focus (śikṣā/prayoga), where control of speech-sound (śabda), attention (vitti), and steadiness (dhṛti) are essential.