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Narada Purana — Purva Bhaga, Shloka 156

The Account of the Lalitā Hymn, the Protective Armor

Kavaca), and the Thousand Names (Sahasranāma

तत्त्वावृत्तिस्वरूपापि नित्यावृत्तिवपुर्द्धरा ॥ १५६ ॥

tattvāvṛttisvarūpāpi nityāvṛttivapurddharā || 156 ||

Walaupun hakikatnya ialah vṛtti yang berpaling kepada tattva (prinsip kebenaran), Baginda memegang suatu rupa yang sentiasa bergerak dalam nitya-vṛtti, yakni kegiatan yang berulang tanpa henti.

tattva-āvṛtti-svarūpāwhose nature is tattva-āvṛtti
tattva-āvṛtti-svarūpā:
Karta (कर्ता/Subject)
TypeAdjective
Roottattva (प्रातिपदिक) + āvṛtti (प्रातिपदिक) + svarūpa (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुष-समासः ('whose nature is tattva-āvṛtti')
apialso
api:
Sambandha (सम्बन्ध/Particle)
TypeIndeclinable
Rootapi (अव्यय)
Formअव्यय (particle): अपि = 'also/even'
nitya-āvṛtti-vapuḥ-dharābearer of the body of nitya-āvṛtti
nitya-āvṛtti-vapuḥ-dharā:
Karta (कर्ता/Subject)
TypeAdjective
Rootnitya (प्रातिपदिक) + āvṛtti (प्रातिपदिक) + vapuḥ (प्रातिपदिक) + dharā (धरा, कृदन्त from √dhṛ धृ (धातु), अ-प्रत्यय/कर्तृवाचक)
Formस्त्रीलिङ्ग, प्रथमा, एकवचन; तत्पुरुष-समासः ('bearer of a body of nitya-āvṛtti')

Sanatkumara (teaching Narada in the Vedanga/technical section)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: none

FAQs

It highlights that true knowledge is not merely conceptual: it must repeatedly return to tattva (first principles) and be sustained through constant practice, making realization stable rather than occasional.

By implying nitya-āvṛtti—steady, repeated engagement—it supports the bhakti principle of continuous remembrance and practice (abhyāsa), where devotion becomes an enduring disposition rather than an intermittent emotion.

The verse points to the pedagogical method central to Vedic study—āvṛtti (repetition/recitation and revision)—through which śabda, meaning, and doctrine are retained and refined in disciplines like Śikṣā and Vyākaraṇa.