Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
षड्भुजां त्रीक्षणामिंदुकलाकलितमौलिकाम् । पञ्चाष्टषोडशद्वंद्वषट्कोणचतुरस्रगाम् ॥ ४९ ॥
ṣaḍbhujāṃ trīkṣaṇāmiṃdukalākalitamaulikām | pañcāṣṭaṣoḍaśadvaṃdvaṣaṭkoṇacaturasragām || 49 ||
Renungkanlah Dia sebagai bertangan enam, bermata tiga, dengan bulan sabit menghiasi mahkota-Nya; dan bersemayam dalam rajah (yantra) yang tersusun daripada pasangan kelopak lima, lapan dan enam belas, beserta heksagon dan segi empat.
Narada (instructional/technical description within a Vedanga-aligned ritual context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It encodes a precise dhyāna (meditative visualization) by linking the deity’s form (six arms, three eyes, crescent crown) with a structured yantra, showing that inner contemplation and ritual geometry together stabilize devotion and concentration.
Bhakti here is practiced as focused remembrance (smaraṇa) through form-meditation: the devotee fixes the mind on the deity’s attributes and her sacred seat in the yantra, turning devotion into steady, single-pointed worship.
It highlights applied ritual-technical knowledge: the use of measured sacred geometry (square, hexagon, lotus-petal counts) and prescribed visualization—skills aligned with Kalpa-style procedural ritualism and technical liturgical practice.