Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
लोहितांशुकभूषास्रग्लेपनां षण्मुखांबुजाम् । अनर्घ्यरत्नघटितमाणिक्यमुकुटोज्वलाम् ॥ १५१ ॥
lohitāṃśukabhūṣāsraglepanāṃ ṣaṇmukhāṃbujām | anarghyaratnaghaṭitamāṇikyamukuṭojvalām || 151 ||
Berpakaian merah, dihiasi perhiasan, kalungan bunga dan sapuan wangi suci; dia berwajah teratai enam (aspek enam serangkai), bersinar dengan mahkota manikya—mahkota delima—yang terjalin daripada permata tiada ternilai.
Narada (describing the deity/form in a dhyāna-style passage to the Sanatkumāra tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It functions as a dhyāna-lakṣaṇa (meditative iconography): by visualizing the deity’s color, ornaments, garlands, anointing, and crown, the practitioner steadies the mind and makes worship (upāsanā) precise and focused.
Bhakti here is expressed through loving, attentive visualization and reverent detailing of the deity’s form—seeing the divine as beautifully adorned and radiant, which naturally draws the heart into devotion during pūjā and japa.
Ritual application is implied: the verse guides pūjā-vidhi elements such as vastra (red cloth), ābharaṇa (ornaments), mālā (garlands), gandha/lepana (anointing paste), and mukuṭa (crown) as standardized supports for mantra-based worship.