Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
आदिमध्यावसानेषु पूजाजपविधिक्रमात् । प्रत्येक तैस्त्रिभिर्बीजैर्दीर्घस्वरसमन्वितैः ॥ १४६ ॥
ādimadhyāvasāneṣu pūjājapavidhikramāt | pratyeka taistribhirbījairdīrghasvarasamanvitaiḥ || 146 ||
Menurut tatacara pemujaan dan japa yang ditetapkan, pada permulaan, pertengahan dan penutup, setiap kali hendaklah digunakan tiga bīja itu, dilafazkan dengan vokal panjang.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that mantra-power depends not only on devotion but also on correct ritual sequencing—beginning, middle, and end—so the worship becomes complete (saṃpūrṇa) and properly sealed by bīja-mantras.
Bhakti here is expressed as disciplined worship: the devotee honors the deity through careful pūjā and steady japa, showing reverence by following the ordained krama rather than casual recitation.
Śikṣā (Vedic phonetics): it specifically instructs dīrgha-svara—pronouncing the bīja-mantras with long vowels—indicating that accurate sound-length and articulation are essential in mantra practice.