Rādhā-sambaddha-mantra-vyākhyā
Rādhā-Related Mantras Explained
षड्दीर्घस्वरयुक्तेन विद्यायाः स्यात्षडंगकम् । तेनैव पुटितैरर्णैर्न्यसेच्छ्रोत्रादिपञ्चसु ॥ १२२ ॥
ṣaḍdīrghasvarayuktena vidyāyāḥ syātṣaḍaṃgakam | tenaiva puṭitairarṇairnyasecchrotrādipañcasu || 122 ||
Apabila Vidyā digabungkan dengan enam vokal panjang, maka ia menjadi Vidyā yang mempunyai enam anggota. Dengan suku kata yang sama—yang diperkukuh dan dilindungi—hendaklah dilakukan nyāsa pada lima pusat indera, bermula dari telinga dan seterusnya.
Sanatkumara (in instruction to Narada, Vedanga/Mantra-technical context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It teaches that sound (svara/varṇa) is not merely linguistic but a sacred technology: by structuring the vidyā with prescribed vowels and then placing it through nyāsa on the sense-centres, the practitioner sanctifies perception and makes the body a fit vessel for mantra.
Though technical, it supports bhakti by disciplining the senses: nyāsa on the ear and other faculties redirects hearing, seeing, and speaking toward sacred recitation and remembrance, stabilizing devotion through regulated mantra-practice.
Śikṣā (phonetics) and mantra-vidhi are highlighted—specifically the use of long vowels (dīrgha-svara), syllabic arrangement (arṇa/varṇa), and nyāsa as a ritual application of sound-science.