The Description of the Four Durgā Mantras
आकर्षणीं हृदि पुनः सर्वांतभृगुसंस्थिताम् । संमोहनीं क्रमादेवं बाणन्यासोऽयमीरितः ॥ ५४ ॥
ākarṣaṇīṃ hṛdi punaḥ sarvāṃtabhṛgusaṃsthitām | saṃmohanīṃ kramādevaṃ bāṇanyāso'yamīritaḥ || 54 ||
Kemudian, letakkan Ākarṣaṇī sekali lagi di dalam hati; dan letakkan Saṃmohanī, yang bersemayam pada segala hujung, pada kedudukan “bhṛgu”. Demikianlah, menurut tertibnya, kaedah bāṇa-nyāsa ini telah diajarkan.
Narada (in instruction mode within a technical Vedanga/ritual-nyasa context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It codifies a precise inner-ritual (nyāsa) where specific mantra-śaktis are ‘installed’ in prescribed bodily loci, aiming to align the practitioner’s body-mind as a consecrated field for mantra-siddhi.
Though technical, nyāsa functions as devotional consecration: the devotee internalizes sacred powers in the heart and limbs, treating the body as a temple and supporting focused remembrance during worship.
It highlights applied ritual science—mantra-viniyoga and nyāsa-krama (procedural sequencing and placement terminology), a technical discipline associated with authoritative liturgical method rather than narrative theology.