The Description of the Four Durgā Mantras
लोकपाला बहिः पूज्या वज्राद्यैरायुधैः सह । मंत्रेऽस्मिन्संधिते मन्त्री साधयेदिष्टमात्मनः ॥ १४५ ॥
lokapālā bahiḥ pūjyā vajrādyairāyudhaiḥ saha | maṃtre'sminsaṃdhite mantrī sādhayediṣṭamātmanaḥ || 145 ||
Para Lokapāla, para penjaga alam, hendaklah dipuja di bahagian luar bersama senjata mereka seperti vajra dan lain-lain. Apabila mantra ini telah disusun dan disambungkan dengan sempurna, pengamal mantra hendaklah mencapai hajat yang diingininya.
Narada (teaching in a technical/ritual context, traditionally within dialogue transmission)
Vrata: none
Primary Rasa: vira
Secondary Rasa: shanta
It emphasizes ritual completeness: honoring the directional guardians (Lokapālas) in their proper place and correctly forming/combining the mantra (sandhita) so the sādhaka’s intention becomes effective and protected.
Bhakti here appears as disciplined reverence expressed through pūjā—worship performed with order, respect for divine protectors, and careful mantra practice, showing devotion through correct sacred procedure.
It points to mantra-technicality—especially correct “sandhi/saṃdhāna” (joining/arranging) of mantra sounds and ritual placement—linking to Śikṣā (phonetics) and Vyākaraṇa (grammatical correctness) for efficacy in rites.