The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
स्वमस्तके ललाटादि दिक्ष्वष्टस्वधउर्द्ध्वतः । ह्रस्वदीर्घकादिकाष्टवर्गपूर्वान्दिशाधिपान् ॥ ४८ ॥
svamastake lalāṭādi dikṣvaṣṭasvadhaurddhvataḥ | hrasvadīrghakādikāṣṭavargapūrvāndiśādhipān || 48 ||
Di atas kepala sendiri—bermula dari dahi—hendaklah (dalam batin) menempatkan para dewa penjaga arah di lapan penjuru serta di atas, tersusun menurut tertib bermula dengan vokal pendek dan panjang, lalu kumpulan konsonan bermula “ka” (lapan varga).
Sanatkumara (teaching Narada in a Vedanga/Śikṣā context)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It presents a Śikṣā-based ritual visualization (nyāsa) where sacred sounds are aligned with cosmic space (directions), treating phonetics as a sanctifying, order-giving principle for mantra practice.
While technical, it supports bhakti by prescribing disciplined mantra-application: the devotee internalizes sacred sound through ordered placement, making worship more focused and reverent.
Śikṣā (Vedic phonetics): classification of vowels (short/long) and consonant groups (ka-varga etc.) and their structured use in ritual placements connected to directions (dik-nyāsa).