The Classification and Explanation of Yakṣiṇī Mantras
Kālī and Tārā Vidyās
षट्कोणांतर्लिखेन्मूलं साध्यार्णं केशरे स्वरैः । बाह्येऽष्टवर्गयुक्पत्रं पद्मभूमिपरावृतम् ॥ १४१ ॥
ṣaṭkoṇāṃtarlikhenmūlaṃ sādhyārṇaṃ keśare svaraiḥ | bāhye'ṣṭavargayukpatraṃ padmabhūmiparāvṛtam || 141 ||
Di dalam rajah enam penjuru, hendaklah ditulis Mūla-mantra; pada keśara (benang sari) letakkan suku kata mantra yang hendak disempurnakan beserta vokal. Di bahagian luar, pada kelopak teratai tuliskan suku kata daripada lapan kelompok (aṣṭa-varga), dan keseluruhannya dilingkungi oleh dasar teratai (padma-bhūmi).
Sanatkumara (teaching Narada the technical ritual layout)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It gives a precise yantra-vidhi: spiritual efficacy is linked to correct geometric placement (ṣaṭkoṇa, padma) and correct phonetic placement (vowels and syllable-groups), showing that mantra works through disciplined form and sound.
Bhakti here is expressed as reverent, exact worship—devotion becomes a structured offering where the deity is invoked through mantra-sound (mūla, sādhyārṇa) and honored through a lotus-diagram arrangement.
It highlights phonetic/letter-science used in ritual (Śikṣā-style attention to svara vowels and varga groupings) applied to mantra-writing and yantra layout, a technical feature of Narada Purana’s third pada.