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Narada Purana — Purva Bhaga, Shloka 127

The Classification and Explanation of Yakṣiṇī Mantras

Kālī and Tārā Vidyās

जिह्वायां विलिखेन्मंत्रं मध्वाज्याभ्यां शलाकया । सुवर्ण कृतया यद्वा मंत्री धवलदूर्वया ॥ १२७ ॥

jihvāyāṃ vilikhenmaṃtraṃ madhvājyābhyāṃ śalākayā | suvarṇa kṛtayā yadvā maṃtrī dhavaladūrvayā || 127 ||

Hendaklah dia menuliskan mantra itu pada lidah dengan sebatang kayu kecil yang dicelup ke dalam madu dan ghee; atau pengamal mantra boleh menuliskannya dengan stilus daripada emas, ataupun dengan rumput dūrvā yang putih.

जिह्वायाम्on the tongue
जिह्वायाम्:
Adhikarana (अधिकरण)
TypeNoun
Rootजिह्वा (प्रातिपदिक)
Formस्त्रीलिङ्ग, सप्तमी (7th/Locative), एकवचन
विलिखेत्should write/inscribe
विलिखेत्:
Kriya (क्रिया)
TypeVerb
Rootलिख् (धातु) + वि (उपसर्ग)
Formविधिलिङ् (Optative), प्रथमपुरुष (3rd person), एकवचन; परस्मैपद
मन्त्रम्the mantra
मन्त्रम्:
Karma (कर्म)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
मधु-आज्याभ्याम्with honey and ghee
मधु-आज्याभ्याम्:
Karana (करण)
TypeNoun
Rootमधु (प्रातिपदिक) + आज्य (प्रातिपदिक)
Formसमासः (द्वन्द्व), नपुंसकलिङ्ग, तृतीया (3rd/Instrumental), द्विवचन
शलाकयाwith a stylus/rod
शलाकया:
Karana (करण)
TypeNoun
Rootशलाका (प्रातिपदिक)
Formस्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन
सुवर्ण-कृतयाmade of gold
सुवर्ण-कृतया:
Visheshana (विशेषण)
TypeAdjective
Rootसुवर्ण (प्रातिपदिक) + कृत (कृदन्त-प्रातिपदिक; √कृ)
Formसमासः (तत्पुरुष: ‘सुवर्णेन कृत’), स्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन; विशेषणम् (शलाकायाः)
यद्वाor else
यद्वा:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootयद् + वा (अव्यय)
Formविकल्पार्थक-अव्यय (disjunctive: ‘or else’)
मन्त्रीthe mantra-practitioner
मन्त्री:
Karta (कर्ता)
TypeNoun
Rootमन्त्रिन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा (1st/Nominative), एकवचन
धवल-दूर्वयाwith white dūrvā grass
धवल-दूर्वया:
Karana (करण)
TypeNoun
Rootधवल (प्रातिपदिक) + दूर्वा (प्रातिपदिक)
Formसमासः (कर्मधारय), स्त्रीलिङ्ग, तृतीया (3rd/Instrumental), एकवचन

Sanatkumara (in instruction to Narada)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: adbhuta

FAQs

It teaches a precise mantra-prayoga: sanctifying speech by ritually placing the mantra on the tongue, symbolizing that the mantra should arise from a purified organ of utterance and disciplined practice.

By emphasizing careful, reverent handling of the mantra, it supports bhakti as disciplined worship—where devotion is expressed through correct sacred procedure and purity in recitation.

It reflects technical ritual know-how connected to Vedanga-style practice—especially the disciplined use of speech (linked with Śikṣā) and precise prayoga methods for mantra application.