Pañca-prakṛti-nirūpaṇa and Mantra-vidhi: Rādhā, Mahālakṣmī, Durgā, Sarasvatī, Sāvitrī; plus Sāvitrī-Pañjara
पादांघ्रिनखलोमाख्यभूनागद्रुमलक्षिताम् । ग्रहराश्यर्क्षयोगादिमूर्तावयवसंज्ञिकाम् ॥ १३४ ॥
pādāṃghrinakhalomākhyabhūnāgadrumalakṣitām | graharāśyarkṣayogādimūrtāvayavasaṃjñikām || 134 ||
Baginda menghuraikan rupa kosmik itu: kaki, buku lali, kuku dan bulu tubuhnya ditandai sebagai bumi, gunung-ganang dan pepohonan; dan anggota-anggotanya dinamai dengan istilah teknikal seperti planet, tanda zodiak, rumah bulan (nakṣatra), yoga dan seumpamanya.
Sanatkumara (teaching Narada)
Vrata: none
Primary Rasa: adbhuta (wonder)
Secondary Rasa: shanta (peace)
It presents the universe as a sacred embodiment—nature (earth, mountains, trees) and time-measures (planets, zodiac, nakṣatras, yogas) are treated as limbs of the Divine, encouraging reverence toward both cosmos and sacred time.
By identifying cosmic structures and astrological divisions with the Lord’s body, the verse turns observation of the world and sacred calendrical time into remembrance (smaraṇa) and worshipful contemplation—an aid to Vishnu-bhakti.
Vedāṅga Jyotiṣa: the technical framework of grahas (planets), rāśis (zodiac signs), nakṣatras (lunar mansions), and yogas used for calendrical calculation, muhūrta selection, and ritual timing—recast here in a theological (mūrti) mapping.