The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
औदार्यभावसाध्या च स्थूलसूक्ष्मातिरूपिणी । शिरीषपुष्पमृदुला गांगेयमुकुरप्रभा ॥ १९४ ॥
audāryabhāvasādhyā ca sthūlasūkṣmātirūpiṇī | śirīṣapuṣpamṛdulā gāṃgeyamukuraprabhā || 194 ||
Dia dapat dicapai melalui sikap kemurahan hati; Dia menzahirkan rupa yang kasar, halus, dan melampaui. Lembut bagaikan bunga śirīṣa, Dia bersinar dengan kilau laksana cermin yang lahir dari Gaṅgā.
Narada (in dialogue context with the Sanatkumara tradition)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It presents generosity (audārya-bhāva) as a direct spiritual means, and frames the revered principle being praised as present on multiple ontological levels—gross, subtle, and transcendent—indicating an all-pervading sacred reality.
By stressing audārya (open-handedness, largeness of heart) as “sādhya” (a means of attainment), it aligns bhakti with inner transformation—devotion expressed through compassionate, generous conduct rather than mere external display.
The verse uses lakṣaṇa-style descriptive markers (poetic ‘signs’ and similes) to communicate subtle doctrine—an instructional technique common in Vedanga-influenced passages for conveying layered meaning through precise qualifiers (sthūla/sūkṣma/ati).