The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
भ्रूभंगाभंगकोदंडकटाक्षशरसंधिनी । शेषदेवाशिरस्था च नित्यस्थलविहारिणी ॥ १८० ॥
bhrūbhaṃgābhaṃgakodaṃḍakaṭākṣaśarasaṃdhinī | śeṣadevāśirasthā ca nityasthalavihāriṇī || 180 ||
Dialah yang dengan sedikit melengkung dan meluruskan kening, memasang anak panah pandangan sisi pada busur yang tidak terputus; Dialah yang bersemayam di atas kepala-kepala Śeṣa; dan Dialah yang sentiasa bersuka ria di kediaman kekalnya sendiri.
Narada (stuti/description within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: adbhuta
It portrays the Goddess as sovereign and effortless in power: even a subtle movement of her brows and a mere side-glance becomes an unfailing ‘arrow,’ indicating divine will that operates without strain and protects devotees.
By emphasizing her katākṣa (gracious glance) and her eternal abode, the verse encourages bhakti as reliance on divine grace—devotion seeks not force but the blessing of her compassionate attention.
Indirectly, it uses precise poetic-technical imagery (bow, arrow, fitting/saṃdhāna) that mirrors the Vedanga habit of exactness—how subtle ‘marks’ (like a brow’s movement) can signify powerful outcomes, akin to disciplined interpretation in Śikṣā/Vyākaraṇa.