The Recitation of the Thousand Names of Rādhā and Kṛṣṇa (Yugala-Sahasranāma) and Śaraṇāgati-Dharma
दुर्गाराध्या रमाराध्या विश्वाराध्या चिदात्मिका । देवाराध्या पराराध्या ब्रह्माराध्या परात्मिका ॥ १५१ ॥
durgārādhyā ramārādhyā viśvārādhyā cidātmikā | devārādhyā parārādhyā brahmārādhyā parātmikā || 151 ||
Dia wajar disembah sebagai Durgā; wajar disembah sebagai Ramā (Lakṣmī). Dia layak dipuja sebagai seluruh alam semesta, dan hakikatnya ialah kesedaran murni. Para dewa menyembahnya; Dialah tujuan sembah yang tertinggi; Dia dipuja sebagai Brahman, dan Dialah Paramātmā, Diri Tertinggi.
Narada (stuti-style teaching within the Narada–Sanatkumara dialogue framework)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that the Goddess is one reality approached through many revered names—Durgā, Ramā, the cosmos itself—and that her true nature is Consciousness (cit) and the Supreme Self (Paramātman).
It validates bhakti through multiple devotional gateways: worship of a personal deity-form (Durgā/Lakṣmī) is simultaneously worship of the supreme Brahman, uniting personal devotion with highest metaphysical realization.
It reflects mantra-śāstra and stuti-prayoga (liturgical application): the repeated epithet “ārādhyā” functions as a devotional/ritual cue for upāsanā, indicating sanctioned forms and names for invocation in worship.