Narada Purana — Purva Bhaga, Shloka 69
Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
रविलक्षं जपेन्मंत्रं दुग्धैर्हुत्वा दशांशतः । यजेच्च पूर्ववद्गोष्ठस्थितं वा प्रतिमादिषु ॥ ६९ ॥
ravilakṣaṃ japenmaṃtraṃ dugdhairhutvā daśāṃśataḥ | yajecca pūrvavadgoṣṭhasthitaṃ vā pratimādiṣu || 69 ||
Hendaklah seseorang mengulang mantra seratus ribu kali, lalu mempersembahkan oblation ke dalam api dengan susu sebanyak satu persepuluh daripada jumlah itu. Sesudahnya, lakukan pemujaan seperti yang dihuraikan sebelumnya—sama ada kepada dewa yang ditegakkan di kandang lembu (goṣṭha) atau kepada arca dan bentuk-bentuk yang telah disucikan seumpamanya.
Narada (teaching in dialogue with Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
FAQs
It links inner discipline (japa) with outward sacrificial purification (homa) and concludes with formal worship, showing a complete sādhana sequence where mantra-power is sealed through fire-offering and devotion.
After the technical practice of japa and homa, it directs the practitioner to worship the deity in a sanctified locus (goṣṭha) or through an image (pratimā), emphasizing devotion expressed through reverent, rule-based pūjā.
It reflects ritual proportionality (daśāṃśa—one-tenth homa after japa) and procedural continuity (“pūrvavat”), a hallmark of applied karmakāṇḍa practice aligned with śrauta/smārta ritual logic.