Kṛṣṇādi-mantra-varga-varṇana
Classification of Krishna and Related Mantras
लीलादंडहरिः प्रोक्तो मन्वब्धधियुगवह्निभिः । वेदैः पंचां गकं भागैर्मंत्रवर्णोत्थितैः क्रमात् ॥ ५४ ॥
līlādaṃḍahariḥ prokto manvabdhadhiyugavahnibhiḥ | vedaiḥ paṃcāṃ gakaṃ bhāgairmaṃtravarṇotthitaiḥ kramāt || 54 ||
Demikianlah nama “Līlā-daṇḍa-hari” dinyatakan—terbentuk menurut tertib daripada suku kata mantra yang terbit melalui Veda, dengan pembahagian lima bahagian, serta melalui penanda bilangan yang disebut manvantara, lautan, budi (dhi), yuga dan api.
Narada (teaching in a Vedanga/technical explanatory mode, traditionally within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
It presents Hari’s name as not merely devotional poetry but as a Veda-grounded mantra-form, implying that remembrance of Vishnu is aligned with revealed sound (śabda) and its ordered structure.
By identifying Hari through mantra-derived syllables and ordered components, it frames bhakti as disciplined japa/recitation rooted in Vedic sound-science—devotion expressed through correctly understood and sequenced sacred names.
It points to Śikṣā (phonetics: varṇa/syllable formation) and Vyākaraṇa-style analysis (derivation by parts), using a fivefold division and numeric/cosmic markers to systematize mantra construction.