Narada Purana — Purva Bhaga, Shloka 193
The Exposition of the Krishna Mantra (Kṛṣṇa-mantra-prakāśa): Nyāsa, Dhyāna, Worship, Yantra, and Prayoga
स्याद्गायत्री वामदेवपुष्पबाणौ तु ङेंतिमौ । विद्महेधीमहियुतौ तन्नोऽनंगः प्रचोदयात् ॥ १९३ ॥
syādgāyatrī vāmadevapuṣpabāṇau tu ṅeṃtimau | vidmahedhīmahiyutau tanno'naṃgaḥ pracodayāt || 193 ||
Inilah suatu mantra Gāyatrī: bagi Vāmadeva dan Puṣpabāṇa—dua nama ini hendaklah diterapkan di sini. Dengan unsur “vidmahe” dan “dhīmahi”, semoga Ananga (Kāma) menggerakkan serta menerangi pengertian kami.
Sanatkumara (teaching Narada the technical construction/application of Gāyatrī-style mantras)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: shanta
FAQs
It presents a technical, Vedāṅga-oriented application of the Gāyatrī template—showing how specific deity-names (Vāmadeva, Puṣpabāṇa/Ananga) are fitted into the standard ‘vidmahe–dhīmahi–pracodayāt’ structure to direct the mind toward a chosen devatā.
Bhakti here is expressed through precise mantra-upāsanā: devotion becomes focused contemplation (dhīmahi) supported by correct mantra-form, so that the invoked deity (Ananga/Kāma in this case) is asked to ‘impel’ the devotee’s inner faculty (naḥ).
It highlights Chandas and mantra-prayoga: identifying a mantra as ‘Gāyatrī’ in form and indicating how the canonical parts ‘vidmahe’ and ‘dhīmahi’ are used with specific devatā-nāmas for ritual/meditative application.