The Description of the Worship of Rāma and Others
Rāmādi-pūjā-vidhāna
येजनं काम्यकर्माणि सर्वं कुर्यात्षडर्णवत् । रामश्च चन्द्रभ द्रांतो ङेनमोंतो ध्रुवादिकः ॥ ६३ ॥
yejanaṃ kāmyakarmāṇi sarvaṃ kuryātṣaḍarṇavat | rāmaśca candrabha drāṃto ṅenamoṃto dhruvādikaḥ || 63 ||
Hendaklah segala yajña dan amalan yang didorong oleh keinginan dilakukan sepenuhnya menurut tata cara mantra enam suku kata. ‘Rāma’ dan bentuk enam suku kata yang lain—yang berakhir dengan ‘candrabha’, yang berakhir dengan ‘ṅe-namoṃ’, serta yang bermula dengan ‘dhruva’—hendaklah diterapkan sebagaimana wajar.
Narada (teaching in a Vedanga/Mantra-vidhi context, within the Narada Purana’s technical sections)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It emphasizes that even result-oriented (kāmya) rites should be structured around a disciplined mantra-method (ṣaḍarṇa/ṣaḍakṣara-vidhi), implying that correct mantra-application and sacred sound-order are central to efficacy and purity in ritual.
By foregrounding mantra-centered practice (including the ‘Rāma’ mantra-form), the verse points to devotion expressed through regulated japa and ritual—where reverence is embodied in precise, repeated sacred utterance.
Śikṣā (Vedic phonetics) and mantra-prayoga: the verse references technical mantra ‘endings/beginnings’ (nasalized syllables, fixed openings like dhruva), indicating attention to pronunciation, formation, and correct ritual deployment.