The Exposition of Nṛsiṁha Worship-Mantras, Nyāsa, Mudrās, Yantras, Kavaca, and Nṛsiṁha Gāyatrī
श्रियं ह्रियं धृतिं पुष्टिं कोणपत्रेषु पूजयेत् । दन्तच्छदेषु नृहरींस्तावतः पूजयेत्क्रमात् ॥ ७ ॥
śriyaṃ hriyaṃ dhṛtiṃ puṣṭiṃ koṇapatreṣu pūjayet | dantacchadeṣu nṛharīṃstāvataḥ pūjayetkramāt || 7 ||
Hendaklah dipuja Śrī, Hrī, Dhṛti dan Puṣṭi pada kelopak-kelopak sudut. Pada unjuran luar yang seperti gigi, kemudian pujalah para Narasiṃha sebanyak bilangan yang sama, menurut tertibnya.
Sanatkumara (in dialogue with Narada)
Vrata: none
Primary Rasa: bhakti
Secondary Rasa: shanta
It teaches that inner virtues (Śrī, Hrī, Dhṛti, Puṣṭi) are ritually installed in specific locations of a worship-diagram, showing that devotion is supported by cultivated qualities and disciplined, ordered worship.
Bhakti here is expressed as krama-pūjā—methodical worship where divine aspects and attendant forms (Narasiṃhas) are honored in their proper places, emphasizing reverence, order, and completeness in Vishnu-upāsanā.
It highlights ritual-technical procedure: precise placement of devatās on petals/outer projections of a mandala (a practical application aligned with Kalpa—ritual science—within the Narada Purana’s technical teachings).