Mahāviṣṇu-Mantras: Aṣṭākṣarī, Sudarśana-Astra, Nyāsa Systems, Āvaraṇa-Pūjā, and Prayogas
शांतिं श्रियं सरस्वत्या रतिं संपूजयेत्क्रमात् । हेमपीततमालेंद्रनीलाभाः पीतवाससः ॥ ४५ ॥
śāṃtiṃ śriyaṃ sarasvatyā ratiṃ saṃpūjayetkramāt | hemapītatamāleṃdranīlābhāḥ pītavāsasaḥ || 45 ||
Menurut tertib, pujalah Śānti (Kedamaian), Śrī (Kemakmuran), Sarasvatī (Ilmu), dan Rati (Kegembiraan). Mereka berwarna laksana emas, kuning, biru gelap seperti pohon tamāla, dan nila; serta berpakaian kuning.
Narada (in dialogue context with the Sanatkumara tradition)
Vrata: none
Primary Rasa: adbhuta
Secondary Rasa: bhakti
It teaches an ordered (kramāt) devotional-ritual approach: peace (Śānti) stabilizes the mind, prosperity (Śrī) sustains dharmic life, learning/speech (Sarasvatī) refines understanding, and delight (Rati) represents harmonious fulfillment—together forming a complete auspicious framework for worship.
Bhakti here is expressed as reverent upāsanā with correct sequence, remembrance, and iconographic focus (colors/garments), showing that devotion in the Narada Purana is not only emotion but also disciplined worship aligned with sacred order.
It reflects ritual-practical knowledge: sequencing of worship (krama), and dhyāna/iconography markers (varṇa—colors, vastra—garments) used to fix the deity-form in the mind, a common technical feature of mantra and pūjā procedures.