Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi
प्रभूतं विमलं शारं समाराध्यमनंतरम् । परमादिमुखं मध्ये खबिंबांतं प्रपूजयेत् ॥ २३ ॥
prabhūtaṃ vimalaṃ śāraṃ samārādhyamanaṃtaram | paramādimukhaṃ madhye khabiṃbāṃtaṃ prapūjayet || 23 ||
Kemudian hendaklah dipuja Prinsip Hakiki yang melimpah, tanpa noda, inti sari—yang segera dapat didekati untuk disembah—yang Wajah Tertinggi lagi Purba bersemayam di tengah, menjangkau hingga ke bulatan langit (sfera samawi).
Narada (in instruction/dialogue context with the Sanatkumara tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: bhakti
It directs the practitioner to worship the pure, essential Supreme Reality as both immediately accessible and cosmically all-pervading—centered within the contemplative ‘middle’ yet extending to the celestial sphere.
Bhakti here is expressed as focused upāsanā: reverent worship of the Supreme in a concrete contemplative form (‘face’/manifest aspect) while remembering its vast, stainless, essential nature.
It reflects a technical upāsanā/ritual-visualization instruction—centering (madhye) and cosmic mapping (kha-bimba)—typical of Vedanga-adjacent procedural guidance used in worship and meditative rites.