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Narada Purana — Purva Bhaga, Shloka 101

Śeṣoditya-Sūrya-nyāsa, Soma-sādhana, Graha-pūjā, and Bhauma-vrata-vidhi

ततो रेखात्रयं कुर्यात्खदिरांगारकेण च । मार्जयेद्वामपादेन मंत्राभ्यां च समाहिता ॥ १०१ ॥

tato rekhātrayaṃ kuryātkhadirāṃgārakeṇa ca | mārjayedvāmapādena maṃtrābhyāṃ ca samāhitā || 101 ||

Kemudian hendaklah dia melukis tiga garis dengan arang daripada kayu khadira; dan dengan minda yang khusyuk, dia hendaklah menggosok (atau meratakan) dengan kaki kiri sambil melafazkan dua mantra itu.

ततःthen
ततः:
Kriya-vishesana (क्रियाविशेषण)
TypeIndeclinable
Rootततः (अव्यय)
Formक्रम/देश-अव्यय (adverb: then/thereafter)
रेखा-त्रयम्three lines
रेखा-त्रयम्:
Karma (कर्म)
TypeNoun
Rootरेखा (प्रातिपदिक) + त्रय (प्रातिपदिक)
Formनपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; द्विगु-समासः (त्रयो रेखाः = three lines)
कुर्यात्should make
कुर्यात्:
Kriya (क्रिया)
TypeVerb
Rootकृ (धातु)
Formविधिलिङ् (Optative/विध्यर्थ), प्रथमपुरुष (3rd person), एकवचन; परस्मैपदम्
खदिर-अङ्गारकेणwith khadira charcoal
खदिर-अङ्गारकेण:
Karana (करण)
TypeNoun
Rootखदिर (प्रातिपदिक) + अङ्गारक (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd/करण), एकवचन; तत्पुरुष-समासः (खदिरस्य अङ्गारकः = charcoal of khadira wood)
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
मार्जयेत्should wipe/clean
मार्जयेत्:
Kriya (क्रिया)
TypeVerb
Rootमृज् (धातु)
Formविधिलिङ् (Optative/विध्यर्थ), प्रथमपुरुष (3rd person), एकवचन; परस्मैपदम्
वाम-पादेनwith the left foot
वाम-पादेन:
Karana (करण)
TypeNoun
Rootवाम (प्रातिपदिक) + पाद (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd/करण), एकवचन; कर्मधारय-समासः (वामः पादः = left foot)
मन्त्राभ्याम्with two mantras
मन्त्राभ्याम्:
Karana (करण)
TypeNoun
Rootमन्त्र (प्रातिपदिक)
Formपुल्लिङ्ग, तृतीया (3rd/करण), द्विवचन
and
:
Sambandha (सम्बन्ध/समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
समाहिताbeing attentive/composed
समाहिता:
Karta (कर्ता)
TypeAdjective
Rootसम्-आ-धा (धातु) + क्त (कृदन्त) / समाहित (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st), एकवचन; क्त-प्रत्ययान्त (PPP) (one who is composed/attentive)

Sanatkumara (teaching Narada a technical/ritual procedure in the Third Pada context)

Vrata: none

Primary Rasa: shanta

Secondary Rasa: none

N
Narada
S
Sanatkumara

FAQs

It emphasizes disciplined ritual exactness—material purity (khadira charcoal), bodily action (wiping with the left foot), and mental focus (samāhitā) unified through mantra, showing that efficacy depends on coordinated outer and inner practice.

While primarily procedural, it reflects bhakti through careful, reverent execution of prescribed acts and mantras—devotion expressed as attentive obedience to sacred method rather than mere emotion.

It highlights ritual-technique: correct materials (khaḍira), prescribed markings (three lines), coordinated bodily gesture, and mantra-recitation—an applied, technical aspect aligned with Kalpa (ritual procedure) and mantra-prayoga.