Narada Purana — Purva Bhaga, Shloka 41
Śuka’s Origin, Mastery of Śāstra, and Testing at Janaka’s Court
उग्रं तपः समारेभे ब्रह्मचारी समाहिताः । देवतानामृषीणां च बाल्येऽपि सुमहातपाः ॥ ४१ ॥
ugraṃ tapaḥ samārebhe brahmacārī samāhitāḥ | devatānāmṛṣīṇāṃ ca bālye'pi sumahātapāḥ || 41 ||
Sebagai brahmacārin yang berdisiplin, teguh dalam ketenangan batin, baginda memulakan tapa yang amat dahsyat; bahkan sejak kecil lagi baginda menjadi pertapa agung, dihormati oleh para deva dan para ṛṣi.
Narada (narrative voice within the Moksha-Dharma dialogue tradition)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: vira
FAQs
It presents brahmacarya (disciplined celibate life) joined with samādhāna (mental collectedness) as the foundation for powerful tapas, showing that spiritual authority can arise even early in life through sincere practice.
While not naming bhakti explicitly, it supports bhakti-sādhana by emphasizing inner steadiness and self-restraint—qualities that stabilize the mind and senses so devotion can become unwavering and effective.
The verse highlights practical discipline rather than a specific Vedāṅga; it points to brahmacarya and tapas as lived supports for Vedic study and mantra-practice (which traditionally rely on śikṣā and correct recitation).