Jyotiṣa-saṅgraha: Varga-vibhāga, Bala-nirṇaya, Garbha-phala, Āyuḥ-gaṇanā
सुवपुर्लोचनः कृष्णवक्रकेशो भृगुः सुखी । दीर्घः कपिलदृड्भंदो निलीखरकचोलसः ॥ १०० ॥
suvapurlocanaḥ kṛṣṇavakrakeśo bhṛguḥ sukhī | dīrghaḥ kapiladṛḍbhaṃdo nilīkharakacolasaḥ || 100 ||
Dia berwajah tampan dan bermata cerah; rambutnya hitam keriting. Dari keturunan, dia termasuk garis Bhṛgu dan hidup dalam rasa puas dan sejahtera. Bertubuh tinggi, berwarna kapil (perang keemasan), anggota badan tegap, serta memiliki tanda khas: satu garis kebiruan dan seberkas jambul rambut (tuft).
Narada (within the Narada–Sanatkumara dialogue frame)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: adbhuta
It preserves the traditional lakṣaṇa-style description used to recognize a person’s nature and lineage—outer traits are presented as indicators of inner steadiness, contentment, and disciplined life aligned with mokṣa-dharma.
Indirectly: by portraying contentment, firmness, and auspicious traits, it supports the bhakti ideal that a devotee’s life becomes steady and harmonious—qualities that sustain japa, worship, and remembrance.
It aligns with traditional lakṣaṇa/saṃjñā-style observation used alongside śāstric disciplines—careful description and classification (a Vyākaraṇa-like precision of terms) for identifying persons and traits in dharma narratives.