Sṛṣṭi-pralaya-kathana: Mahābhūta-guṇāḥ, Vṛkṣa-indriya-vādaḥ, Prāṇa-vāyu-vyavasthā
एवं षोडशविस्तारो ज्योतीरुपगुणः स्मृतः । तत्रैकगुणमाकाशं शब्द इत्येव तत्स्मृतम् ॥ ८९ ॥
evaṃ ṣoḍaśavistāro jyotīrupaguṇaḥ smṛtaḥ | tatraikaguṇamākāśaṃ śabda ityeva tatsmṛtam || 89 ||
Demikianlah, prinsip bercahaya (tejas) diingati mempunyai pengembangan sifat sebanyak enam belas. Dalam kalangan itu, ākāśa (ruang/eter) dikatakan hanya memiliki satu sifat sahaja—iaitu bunyi (śabda).
Sanatkumara (teaching Narada in the Moksha Dharma dialogue)
Vrata: none
Primary Rasa: shanta
Secondary Rasa: none
It grounds moksha-teaching in tattva-viveka (discernment of principles): by knowing that ākāśa is defined by the single guṇa of sound, the seeker learns to separate the Self from elemental properties and reduce identification with sensory attributes.
While primarily a knowledge (jñāna) verse, it supports bhakti by refining attention: recognizing sound as the key quality of ākāśa helps one treat sacred sound (nāma, mantra, stotra) as a disciplined medium, not mere sensory entertainment, thereby stabilizing devotion.
The verse aligns with Vedic cosmology used in nirukta and śikṣā contexts: it links śabda (sound/phoneme) with ākāśa, reinforcing why precise sound-production and recitation (śikṣā) matter in mantra and Vedic study.