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Narada Purana — Purva Bhaga, Shloka 3

The Exposition of the Dvādaśī Vow for the Twelve Months

Dvādaśī-vrata-nirṇaya and Mahā-dvādaśī Lakṣaṇas

नानाफलयुतं तद्वदिक्षुदंडसमन्वितम् । सितवस्त्रयुगच्छन्नं सितचंदनचर्च्चितम् ॥ ३ ॥

nānāphalayutaṃ tadvadikṣudaṃḍasamanvitam | sitavastrayugacchannaṃ sitacaṃdanacarccitam || 3 ||

Demikian juga, hendaklah ia disertai pelbagai buah-buahan dan batang tebu; ditutup dengan sepasang kain putih serta disapukan pes cendana putih.

नानाफलयुतम्endowed with various fruits
नानाफलयुतम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootनाना-फल-युत (कृदन्त; युत (√यु/युज् धातु + क्त) with qualifiers)
Formपुंलिङ्ग, द्वितीया एकवचन; क्त-प्रत्ययान्त; विशेषण of कुंभम् (अनुवृत्त)
तद्वत्likewise; similarly
तद्वत्:
Kriyāviśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootतद्वत् (प्रातिपदिक/अव्ययवत्-प्रयोग)
Formतुल्यार्थक-अव्यय (adverbial: 'likewise/in the same way')
इक्षुदण्डसमन्वितम्provided with sugarcane-stalks
इक्षुदण्डसमन्वितम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootइक्षु-दण्ड-समन्वित (कृदन्त; समन्वित (सम्+√नी/न्वि धातु + क्त) used adjectivally)
Formपुंलिङ्ग, द्वितीया एकवचन; विशेषण of कुंभम् (अनुवृत्त)
सितवस्त्रयुगच्छन्नम्covered with a pair of white cloths
सितवस्त्रयुगच्छन्नम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसित-वस्त्र-युग-च्छन्न (कृदन्त; छन्न (√छद् धातु + क्त) with qualifiers)
Formपुंलिङ्ग, द्वितीया एकवचन; विशेषण of कुंभम् (अनुवृत्त)
सितचंदनचर्च्चितम्smeared/anointed with white sandalwood
सितचंदनचर्च्चितम्:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootसित-चन्दन-चर्चित (कृदन्त; चर्चित (√चर्च् धातु + क्त) with qualifiers)
Formपुंलिङ्ग, द्वितीया एकवचन; विशेषण of कुंभम् (अनुवृत्त)

Narada (in a didactic/summary passage within Book 1.4’s anukramanika-style material)

Vrata: Madana-vrata

Primary Rasa: shanta

Secondary Rasa: bhakti

FAQs

It emphasizes sattva-oriented worship: pure (white) substances, fragrant sandalwood, and wholesome offerings like fruits and sugarcane—symbols of purity, auspiciousness, and devotional refinement.

Bhakti is expressed through careful, reverent preparation—offering pleasing, pure items with intention and cleanliness, treating the object of worship as worthy of the best and most auspicious presentation.

Ritual application aligns with Kalpa (procedural discipline): specifying correct upacāra materials (fruits, ikṣu, vastra, gandha) and their proper qualities (notably whiteness/purity) for worship.