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Narada Purana — Purva Bhaga, Shloka 29

The Explanation of the Twelve-Month Caturthī Vrata

एकदंतं शूर्पकर्णं गजवक्त्रं चतुर्भुजम् । पाशांकुशधरं देवं तप्तकांचनसन्निभम् ॥ २९ ॥

ekadaṃtaṃ śūrpakarṇaṃ gajavaktraṃ caturbhujam | pāśāṃkuśadharaṃ devaṃ taptakāṃcanasannibham || 29 ||

Aku bermeditasi kepada Tuhan Ilahi (Gaṇeśa): bertaring satu, bertelinga lebar, berwajah gajah, berlengan empat, memegang jerat dan penggoad, bersinar laksana emas yang dipanaskan.

एक-दन्तम्one-tusked
एक-दन्तम्:
Karma (कर्म)
TypeAdjective
Rootएक (प्रातिपदिक) + दन्त (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुव्रीहि—‘एकः दन्तः यस्य’
शूर्प-कर्णम्having winnow-like ears
शूर्प-कर्णम्:
Karma (कर्म)
TypeAdjective
Rootशूर्प (प्रातिपदिक) + कर्ण (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुव्रीहि—‘शूर्पवत् कर्णौ यस्य’
गज-वक्त्रम्elephant-faced
गज-वक्त्रम्:
Karma (कर्म)
TypeAdjective
Rootगज (प्रातिपदिक) + वक्त्र (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुव्रीहि—‘गजस्य वक्त्रं यस्य’
चतुर्भुजम्four-armed
चतुर्भुजम्:
Karma (कर्म)
TypeAdjective
Rootचतुर् (प्रातिपदिक) + भुज (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुव्रीहि—‘चत्वारः भुजाः यस्य’
पाश-अङ्कुश-धरम्bearing a noose and a goad
पाश-अङ्कुश-धरम्:
Karma (कर्म)
TypeAdjective
Rootपाश (प्रातिपदिक) + अङ्कुश (प्रातिपदिक) + धर (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; बहुव्रीहि—‘पाशं च अङ्कुशं च धरति/धारयति यः’
देवम्the god (deity)
देवम्:
Karma (कर्म)
TypeNoun
Rootदेव (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
तप्त-काञ्चन-सन्निभम्resembling heated gold
तप्त-काञ्चन-सन्निभम्:
Karma (कर्म)
TypeAdjective
Rootतप्त (प्रातिपदिक) + काञ्चन (प्रातिपदिक) + सन्निभ (प्रातिपदिक)
Formपुंलिङ्ग, द्वितीया (2nd/Accusative), एकवचन; समासः—तत्पुरुष (तप्तकाञ्चनस्य सन्निभः = ‘heated-gold-like’)

Narada (in a descriptive/summary passage within the Anukramanika section)

Vrata: Siddha-Vināyaka Vrata (contextual)

Primary Rasa: bhakti

Secondary Rasa: adbhuta

G
Ganesha

FAQs

It presents a dhyāna (meditative icon) of Gaṇeśa, emphasizing auspicious invocation: contemplating his form is a traditional way to remove obstacles and steady the mind before sacred study, ritual, or vows.

Bhakti here is expressed through focused remembrance (smaraṇa/dhyāna) of the deity’s attributes—form, weapons, and radiance—training the devotee to approach the divine with clarity, reverence, and single-pointed attention.

It reflects prayoga (ritual application) aligned with Kalpa: beginning rites with a Gaṇapati-dhyāna is a practical liturgical convention for successful performance of mantra, pūjā, and vrata.