Shloka 61
Adhyaya 23 — Ashvatara’s Vow for Madalasa and the Bestowal of Musical Science by Sarasvati
प्रातर्निशायां मध्याह्ने सन्ध्ययोश्चापि तत्परौ ।
तयोः कालेन महता स्तूयमानो वृषध्वजः ॥
prātarniśāyāṃ madhyāhne sandhyayoścāpi tatparau / tayoḥ kālena mahatā stūyamāno vṛṣadhvajaḥ
Pada waktu pagi, malam, tengah hari, dan juga pada waktu-waktu senja, dengan tekun pada pemujaan itu, untuk masa yang panjang Vṛṣadhvaja (Śiva, yang panjinya bergambar lembu) dipuji oleh mereka.
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FAQs
Dharma is sustained by regularity: worship aligned with daily temporal junctions (sandhyā) trains steadiness and sanctifies time itself.
Not pancalakṣaṇa; it is practice-oriented narrative illustrating vrata-like perseverance.
The repeated time-points map outer time to inner rhythms; praising Śiva at ‘junctions’ signifies turning consciousness at transitions toward the Absolute.